Monarch Essentials
$149 · bundleShort: Daily paid rack
Long: Monarch Essentials unlocks CMP, LIM, SAT, DES, SPC, and WID — plus the free seven land in your account. Enough for most sessions without jumping to Suite.
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Monarch Labs Collective makes pro audio plugins for Mac and Windows (AU, VST3, AAX, CLAP). Licenses are buy-once / perpetual with up to three seats. 9 plugins are free forever; paid titles and mid-bundles climb to Monarch Suite. Home: https://doepesci.com
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Short: Daily paid rack
Long: Monarch Essentials unlocks CMP, LIM, SAT, DES, SPC, and WID — plus the free seven land in your account. Enough for most sessions without jumping to Suite.
Short: Mix engineer rack
Long: Monarch Mixing builds on Essentials with transients, clip, tape, Cambridge vocal reverb, channel strip, program EQ, BBD-104, and FIX-1. The mix lane, covered — without a subscription.
Short: Delivery finish
Long: Monarch Mastering unlocks LIM, MBC, WID, EQP-1A, MST-1, AGC, TAP, and SAT — with free LUFS — so masters ship without a cloud subscription.
Short: Complete Collective suite
Long: Started with free, Essentials, or a mid-bundle? Monarch Suite unlocks the complete Collective catalog: dynamics, color, space, metering, SYN-1, and utilities. Buy once — no subscription ladder.
Short: Bus glue without the squash
Long: CMP-1 is built for the mix bus and group stems — Clean, Opto, FET, and Glue characters so you can move from transparent leveling to classic punch without leaving the insert. Lookahead, auto-makeup, Peak/RMS/Hybrid detection, stereo link, sidechain LPF, and Mid-Side / Dual Mono keep it competitive with flagship bus comps. Hold freezes gain reduction before release (anti-pump), and Range caps max GR for invisible bus glue — controls most bus comps skip.
Short: True-peak ceiling you can trust
Long: LIM-1 keeps ceilings honest with transparent true-peak limiting — loud when you need it, clean when the mix already breathes. Per-channel true-peak, lookahead peak-hold, and a dual soft-clip shaper keep overs in check. Factory presets and live GR / true-peak meters keep the last stage fast.
Short: Loudness before the brick wall
Long: CLP-1 is the pre-limiter density tool: Soft mode rounds peaks into harmonic weight, Hard mode smashes drums and buses when you want edge. Drive into it before LIM-1 so the brick wall works less and the mix stays loud without the pumping fight. Live meters keep the smash intentional.
Short: Bright vocals, not brittle esses
Long: DES-1 Split, Wide, and Listen modes give you surgical control over sibilance so vocals stay bright, not brittle — with auto-detect band energy and a live GR meter so you can see what you hear.
Short: Musical gate · free
Long: GAT-1 is a musical gate / downward expander for drums, room mics, and noisy tracks — tight when you need it, gentle when the performance breathes. Free forever.
Short: Honest A/B loudness match
Long: AGC-1 automatic gain / loudness matching keeps reference tracks level with your mix so you judge tone, not volume. Drop it on the reference bus, match, and make A/B calls without the “louder always wins” trap — useful in mix checks, client playback, and mastering prep next to free LUFS-1.
Short: Attack and sustain, Mid-Side
Long: TRS-1 transient design for drums, percussion, and anything that needs more snap or more body. Real Mid-Side encode → shape mid → decode keeps the stereo image intentional while you carve attack and sustain.
Short: One-knob punch · free
Long: PCH-1 collapses a Titan-inspired color compressor into a single Punch macro — digitally controlled compression, clean-to-vintage VCA morph, Dynamic Color snap on hits, Fat/Air tone, and Impact Seal: a one-of-one hit fingerprint that imprints your transient into the punch character. Claim it free, turn it up until the kit wakes up.
Short: Tape · tube · transformer weight
Long: SAT-1 is three analog-flavored saturators in one insert: Tape for soft glue, Tube for harmonic bloom, Transformer for iron weight. Ride Drive from subtle bus warmth to parallel smash — the MADE-inspired color lane without renting a full tape suite.
Short: Chorus & swirl · free
Long: MOD-1 modulation for width, swirl, and classic stereo motion on guitars, synths, vocals, and returns. Optional BBD Color taps the full MADE DelayEngine when you want analog grit — still free forever.
Short: Tape machine glue
Long: TAP-1 is a full tape-machine lane: wow/flutter motion, harmonic saturation, and the soft compression engineers still chase on buses and masters. Use it when the mix needs recorded weight — not a sterile digital polish — before imaging and true-peak limiting.
Short: Streaming loudness · free
Long: LUFS-1 BS.1770-style metering for mix and master checks — so streaming targets don’t surprise you at delivery. Free forever.
Short: Vocal spring & tube space
Long: CV-1 is a vocal-first reverb with tube and spring inspiration — lush tails that sit behind the singer instead of washing consonants. Diffusion, spring-tank energy, and wet/dry tools stay musical on leads, stacks, and dialogue when halls feel too big.
Short: Fix the chain, keep mixing
Long: FIX-1 is the session utility for insert chains that need matching and mid/side cleanup — less detective work, more mixing. When a stem feels “off,” mid-correct tools help you catch phase and stereo problems before they steal an hour of A/B.
Short: Plate · hall · room that sit
Long: SPC-1 is the instrument and bus space rack: Plate for shimmer, Hall for depth, Room for realism — without a cloud of mud. Dial decay and mix so drums, guitars, and score cues feel placed in a room, not pasted under a preset wash.
Short: Width with mono safety
Long: WID-1 stereo imager for controlled width: open the sides where it helps, keep the low end solid. Listen modes (Stereo / Mid / Side / Mono) let you audition the image while you shape it.
Short: Bucket-brigade grit
Long: BBD-104 is an MF-104-inspired MADE analog delay for dark echoes, slap, and modulated trails that feel like hardware. Charge bleed and ageing add the dirt clean digital delays skip — the step up from free DLY-1 / MOD-1 when grit matters.
Short: One insert, whole channel
Long: CHN-1 is the fast tracking and mixing strip: HPF, tonal EQ, dynamics, and saturation without stacking five plugins on every channel. Build a template once, print consistent tone across vocals and instruments, then reach for CMP-1 / SAT-1 when a bus needs a specialist.
Short: Musical program EQ
Long: EQP-1A is the classic “make it better” program EQ: broad, musical boosts and cuts with tube-flavored drive for weight. Reach for it on buses, vocals, and masters when surgical bands feel lifeless — then finish with MBC-1 / LIM-1 when you need control and ceiling.
Short: Four bands, clear GR
Long: MBC-1 is four-band dynamics for stems and masters: tame lows, open mids, and polish highs with independent thresholds and timing — plus per-band GR meters so you know which band is working. Use it when broadband compression squashes the groove.
Short: Guided master, intentional finish
Long: MST-1 is a guided mastering path when you need a coherent finish without rebuilding a rack from scratch. Pick a style, shape the chain, and land a delivery-ready master — then verify with free LUFS-1 and LIM-1 when the ceiling has to be exact.
Short: Console synth that sits
Long: SYN-1 is a console-inspired synthesizer built to sit in a mix: poly for pads and chords, arp for performance writing, and analog attitude for bass and leads that feel like instruments — not preset wallpaper.
Short: Smart vocal strip
Long: VOX-1 is the fast vocal insert: opto-style Control density, Tone from warmth to air, Space for plate/slap placement, and Volume trim — without stacking a compressor, EQ, and reverb on every vocal. Level, place, and move on.
Short: Vintage sampler color · free
Long: MPC-1 is one Color macro for classic sampler grit: drive, bit depth, rate, anti-alias filter, punch, and dust. Twist once for clean 16-bit character through crushed MPC60 grit — free forever.
Short: Reference check · free or pay your conscience
Long: REF-1 is the reference / checking assistant for faster mix decisions: A/B confidence, loudness and spectrum cues, and fewer “is this actually better?” loops. Claim it free forever — tip $9 if it earns its keep.
Short: Optional tip · REF-1
Long: A $9 tip for REF-1. No extra seats, no unlocks — just support if the reference assistant earned it.
Short: Level first · free
Long: GN-1 is the gain/trim utility every session reaches for before the fancy plugins. Polarity, mono check, balance with equal-power center, meters — claim it free and keep the mix honest.
Short: Cut the mud · free
Long: FLT-1 is the HP/LP cleanup filter for rumble and air before you open the surgical EQ. Musical resonance, 6 / 12 / 18 / 24 dB slopes, wet/dry — $0, no strings.
Short: Make space · free
Long: DLY-1 is tempo-sync delay with feedback, mix, and ping-pong — plus a Vintage character that taps MADE DelayEngine (MN3007-style) when you want analog grit. Claim it free, put it on vocals and guitars, then meet BBD-104 when you want the full brigade.
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